The 6 Best MIDI Controllers for Logic Pro X in

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
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Logic pro x midi controller free.50 Best MIDI Keyboards and Controllers In The World Today

 

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Spatial Audio The Dolby Atmos plug-in now shows the top channels after the bed track format is changed to 5. Changing the surround bed format of a project to 5. Content Certain Ultrabeat kits no longer trigger a dialog indicating samples need to be downloaded each time they are chosen, in cases where the Sound Library has been relocated. Search results now remain visible when navigating among found items in the Sound Library.

Export Resolves and issue where the last audio file in a project created from an imported ADM file could be silent when exported as a new ADM file. Score Rests that were manually created in earlier version of Logic no longer show as note events in Logic Pro Environment All Touch Tracks trigger modes now work reliably. General Copying a Marquee selection to the Clipboard no longer leaves the original selection divided at the Marquee borders. Optimized for Apple silicon on new MacBook Pro models.

More than new instrument and audio patches. It is now possible to paste regions copied from multiple tracks to new tracks using a Marquee selection to define the starting track and position. Stability and reliability Resolves an issue where Logic could quit unexpectedly when a Flex Pitch note is created in an empty region. Fixes an issue where Logic could quit when setting a patch as Default. Fixes an issue where Logic could quit sometimes when saving songs from previous versions of Logic to the Logic project format.

Fixes an issue where editing global text objects in multi-page view in the Score can cause errors or for Logic to quit. Fixes an issue where Logic would quit unexpectedly when adjusting zoom of the Alchemy Waveshaper or Convolution Reverb using two finger gestures.

Fixes an issue where Logic would quit unexpectedly when loading a project that contains a stereo instance of ES2 with a modulation of \”Diversity\” from a setting created in a surround instance of ES2.

Resolves an issue where Logic could quit unexpectedly when exporting a movie file with its original AAC audio track. Resolves an issue where Logic could hang if both the New Track window and Control Surface Setup window are open at the same time.

Fixes an issue where Logic could quit unexpectedly when loading presets or duplicating tracks containing Audio Units plug-ins on Apple Mac computers with Apple silicon. Fixes an issue where Logic could quit unexpectedly when left idle with multiple control surface devices connected.

Fixes an issue where Logic could unexpectedly stop recording and then go into play mode in certain rare cases.

Performance Logic\’s graphic performance is no longer affected by running Logic Remote on a connected iPad. Copying a take folder by Option-dragging no longer takes an unexpectedly long time. Presets in Sampler now load faster. Performance when resizing the Key Commands window is improved. Performance is improved when cycling a Live Loops grid with tempo changes.

Performance is improved when creating a new empty Drum Machine Designer kit. Performance is improved when dragging stompboxes into the Pedalboard. Performance when dragging files from from the File Browser to a Drum Machine Designer pad has been improved. Step Sequencer New Live Record mode for real-time capturing note and automation events into rows.

New Step Record mode for step entry of note and automation events when pattern is playing or stopped. New Mono Mode allows only one note step to be enabled per column.

Row labels in Step Sequencer can now be custom named. There are now options to sort rows by type, note number, name or DMD sub-track order. Step Sequencer now offers 2-bar and 4-bar Step Rates. It is now possible to create multiple rows for the same note or automation assignment.

The Edit menu now includes a Delete Unused Row option. It is now possible to split a Drum Machine Designer Pattern region into individual Pattern Regions for each kit piece. The Playhead in the Step Sequencer editor is no longer offset unexpectedly in projects that start earlier than 1 1 1 1.

Quantizing or transposing Step Sequencer pattern regions on Drum Machine designer tracks will not cause the row assignments to change. Entering notes into Step Sequencer pattern regions that are longer than 16 steps no longer causes running playheads to jump to positions within the first 16 steps if the floating Note Repeat window is open. Step Sequencer now shows only one row per input note in cases where multiple Drum Machine Designer pads use the same note to create layered sounds.

The default values for automation row steps no longer update if any steps in the row are already enabled or have manually entered values. Adjusting the pitch setting in a Drum Machine Designer Pattern Sequence row no longer changes the triggered kit piece. Live Loops The Live Loops cell inspector now correctly shows the quantize value for the currently active take.

Live Loops cells now retain changed default Play From settings in the Inspector. If the Live Grid is in focus when a Drummer track is created, a Drummer cell is created. When a currently playing cell in the Live Loops grid is duplicated in the same row, playback is switched to the duplicated cell.

Adjusting a Live Loops cell length to be longer than the current Loop length during playback no longer causes the cell to be stuck in play.

Live Loops cells containing Pattern regions now play back in time consistently. Copying Zones from one layer to another no longer also copies their group. Note labels are now created consistently for all slices when creating a Quick Sampler instrument in Sliced mode.

Automation Faders are no longer unexpectedly set to 0 db when released in Touch Relative mode. The Eraser tool now reliably deletes automation points. Enabling the bypass button for automation in the channel strip now dims the automation data instead of hiding it. Fixes an issue where dragging selected automation points to the left in grouped tracks can cause an unselected point just before the leftmost selected point in the grouped tracks to be deleted.

Fixes an issue where setting an unselected track to Automation Trim mode could set the selected track to Trim mode. Fixes an issue where Logic could output a burst of noise with certain extreme automation settings of the High Cut parameter in Channel EQ.

Region-baseed automation no longer plays back in muted take regions. Snap behavior when dragging Region-based automation points has been improved.

Automation is now reliably chased and displayed in the track header control when playback is started at any point in a project. The tooltip when editing automation points now reliably displays below the cursor. It is now possible to record automation with regions on the main track of a Track Stack. Automation written for a Surround Panner with stereo input now writes automation for Angle, as expected. Multiple selected faders now maintain their same relative positions when adjusting one of them after automation has been enabled, disabled, and then re-enabled.

CC data at the beginning of a region or Live Loops cell is now reliably triggered when playback is started at the region start position.

Pitchbend data is now chased reliably. Fixes and issue where Chase occasionally generates unexpected Sustain Off messages when adjusting other controls during playback. Sustain messages are now chased correctly if the Playhead is moved during playback. Region-based Automation is now chased reliably. Chase now properly picks up events from looped regions. Regions with Clip Length enabled no longer cause unexpected notes to be chased at the start of playback.

Chase for MIDI messages has been improved. Note events at the start of a region are no longer chased if the left corner of the region starts after the note on. Track Stacks Shift-clicking to select multiple tracks no longer causes tracks inside of closed Track Stacks to be selected. Fixes an issue where tracks with stereo inputs enclosed in Summing Stacks could change to No Input when loaded as part of a saved Patch.

Resolves an issue that prevented Track Stack overview regions from being selected in certain cases in which the Track Stack contained aliases of audio regions. Track Stack patches now display the track name that was saved with the patch. Sustain pedal events now work reliably with all sub-tracks of a Summing Stack in cases where one or more of the tracks has a Key Limit set.

Dragging a region or loop onto a track within a Track Stack now automatically loads inactive plug-ins on the main track of the stack. Dragging main tracks containing nested Track Stacks to different positions in the Track Header no longer causes the dragged tracks to be unexpectedly added to other Track Stacks or to disappear entirely.

New tracks created in a Summing Stack are placed immediately below the currently selected track. Flattening a Take Folder with an active Comp no longer causes Quantize to unexpectedly switch off.

Fixes an issue where the Reset All Flex Edits command on a set of Grouped tracks in Slicing mode could throw the regions out of sync with one another. Grouped tracks containing flexed takes takes now remain in phase when the number of transients in a Quantize referenced track is changed. Fixes an issue where audio regions set to Flex: Mono mode could sometimes exhibit crackling noises after the region borders are adjusted. Text now reliably remains visible when typing in parameter values for controls in Alchemy.

The Waveform display in the Convolution Reverb no longer disappears if an effect in a prior slot is dragged to a later slot. Moving a Waveshaper instance to another slot no longer causes other instances of Waveshaper to be added. Fixes an issue where saving an edited version of an Alchemy factory preset could create an unnecessary copy of AAZ file. Plug-ins The Goniometer display in the Multimeter plug-in now continues to show output on Retina displays when receiving stereo white noise.

Enabling True Peak Detection on one channel of the Limiter or AdLimiter plug-in in Dual Mono mode no longer puts the left and right channels out of phase with one another. The disclosure triangle for advanced plug-in parameters is now available when the Advanced Tools preference is not enabled.

The Peak Hold indicators in the Level Meter and Multimeter plug-ins no longer freeze when the level is reduced during playback. A Software Instrument plug-in window that is in Link mode and minimized no longer blinks when an audio track is selected. Enabling True Peak Detection in the Adaptive Limiter plug-in no longer causes the overall output level to be unexpectedly reduced. On Mac computers with Apple silicon, switching between channels on dual mono instances of Audio Units plug-ins no longer causes the plug-in display to briefly flicker.

The signal now remains in phase when using the Grit or Tubeburner pedal modules in parallel on the Pedalboard. Fixes an issue where the cutoff filter in Retro Synth could sound different after several consecutive presses of the same key.

Audio Units plug-ins with square windows now display properly on Mac computers with Apple silicon. Logic now properly migrates instances of Kontact 5 to Kontact 6 after Kontact has been updated on the computer. Resolves an issue where IRs in Space Designer could be unexpectedly truncated after the project sample rate is changed.

Mixer Fixes an issue where double-clicking on the Surround Panner to open a floating pan window occasionally leads to unexpected changes to the pan position. Selecting multiple channels in the Mixer using the Command or Shift keys now works consistently.

Plug-in insert slots now show an indicator when plug-ins are using a sidechain input. Setting the channel strip in the Main window inspector to Surround output while the Smart Controls view is showing EQ on the Output no longer causes all insert slots on the Output to be filled with Channel EQ instances when the left channel strip is switched back to Stereo. The Mixer now reliably updates to show that all effects plug-ins have been removed after the Remove All Effects Plug-ins command is used.

It is now possible to change the Automation Mode for multiple channels in the Mixer that are not assigned to tracks in the Main window. Groups Group settings now offer an option to create a default set. Groups in tracks with Track Alternatives are now maintained properly when a Take folder is disclosed on one of the tracks in the group.

Audio regions on grouped tracks whose anchors are not at the region start point are no longer unexpectedly selected when other non-overlapping regions in other tracks in the groups are selected. It is now possible to select a region on a track assigned to a group without also selecting overlapping regions on the same track.

Drummer now outputs sound when the Vintage Brushes kit is set to play only from the percussion section in the Drummer Editor. Fixes an issue where clearing all Pads in an instance of Drum Machine Designer could clear plug-ins from shared Auxes associated with the Drum Machine Designer instance.

Saving a patch based on a new instance of Drum Machine Designer on a track with a custom track name now uses the track name by default. Loops placed on the main track of a multi-out Drum Machine Designer track stack now play in sync. Drum Machine Designer sub-tracks can now be sorted. You have to do each thing manually.

It\’s like this is just the bare bones of the bare bones. I think Novation has a reputation that doesn\’t reflect this. I think it\’s worth hammering home, because I can keep going. There is no pad naming. So all you have to identify notes on your custom pages is that stupid note name and octave.

Like I know what sound B , octave 3 is on my drum kit. Or if I was trying to trigger clips or something, wouldn\’t it help me if I could name it something in my layout editor other than B , octave 3? It\’s like Novation never thought that people would want to be able to have this function. Also, there is no undo button, so if you delete a note by dragging another onto it, you have to create the note again manually.

No undo button. It\’s just that you wouldn\’t think this from seeing glimpses of the program in videos. You would think Novation stuff is polished. So I\’ve ripped on the stupid greedy? I\’ve ripped on the device for only having 4 custom pages, 1 of which is taken up by said keyboard.

So really, you have 3 custom pages. Then I ripped on the online program for, inexplicably, also not offering the missing scale keyboards as custom options. Then I ripped on the program for how unnecessarily awkward is is to add individual custom notes.

Then I ripped on how once you add these, you can\’t name or copy them. Now notice how none of the popular review channels on Youtube said any of this. They didn\’t mention the lack of scales, did they? Okay, let\’s talk about the pads now. Are they the best in the business?

Well, I don\’t know how high-end pads feel, but these pads don\’t pick up light touches. People who say that is normal just have low standards. I modified my Launchpad X like I did to my Akai controllers in the past, putting tape under the pads. I really wish I didn\’t have to do this and that the reviewers were actually on target, but I realized on day one that these pads needed the mod just like the Akai pads did.

After the mod, I really am happy with it, but it was a large pain. These pads aren\’t able to detect \”super light touches\” as it comes. They are okay, but I expected to not have to mod them.

They miss a lot, if you are playing with a light touch. I bought these thinking they would perform like my modded Akai pads, but that was not the case. So expect that, or expect to mod them. And that\’s all I have to say about that. It\’s a fun product. In my opinion, it shines if you mod it, but I haven\’t seen anyone else do that and wouldn\’t expect to due to the difficulty of that particular mod.

And what really bugs me is the things they either took out, or failed to put into their software, both in the device and on their programming utility. I would buy another one, but that is because I\’m willing to mod it, but I think I would go for a Pro and mod that instead, as it has all 32 scales and 8 custom modes.

What the heck Novation, I feel ripped off. Give me the major pentatonic scale and 4 missing custom modes, put the standard keyboard in Note Mode, and give your editor better workflow functions if you want to live up to your \”great workflow\” image. Oh yeah, if the pads sensitive like my tape-modded pads it would earn that \”up there with the best\” image. Thanks for reading. I got this thinking I was just going to use it to help tap out drums for recording music. While it helps do that very well, and works with Superior Drummer 2, I found that I have a lot more use for it than I thought I would.

If you are getting it for drums, I would highly suggested connecting it to your computer and going to the Components site. This allows you to program which notes and colors appear for each pad. This is very helpful when setting up drums. Now for what I found most interesting and complete unexpected. This has something called Note mode. By default it has a chromatic scale every note, laid out like a piano would , however, you can change it so it only has the notes of the scale you are using available , i.

This means that you cannot hit a wrong note, every pad is assigned with notes from the scale you have chosen. There are 16 different scales to choose from, and you can also choose the key of the scale. Interestingly, you can choose an offset too, which determines how many notes the next row should be offset by. All of this comes together in an experience I never anticipated having. But with that, I get stuck in a rut of playing a certain way, or having familiar phrasing, note choice, etc.

Furthermore, I\’m \”terrible\” at song writing, I\’m decent at doing covers. It\’s not that what I write is completely awful, it is just that what I write is obvious for lack of better words. When I listen to the bands I like, what impresses me the most is when there was a surprise to the music and it worked well into the song. My song writing is typically not that at all.

With this scale mode and not being able to hit a wrong note, I can just tap random patterns out and have come up with concepts that I would have never written by myself prior to this.

What makes it better, is that I don\’t have any concept of what the notes are going to sound like yet before I hit them, I haven\’t memorized where each note is located like a piano or a guitar, so it is forcing me to tap randomly. And from that, I am hearing note choices I would not have attempted before. The process is so fascinating, because it is like taking all the extra baggage that goes into song writing i.

If I want a higher note, I just move up, if I want a lower note, I just move down. In a way, it is like distilling the song writing process into just thinking and not having to work so hard at the doing aspect. It is so hard to describe the feeling, but I haven\’t felt that close the song writing process in maybe The process of making harmonies for lead parts on guitar isn\’t rocket science, but sometimes it can take a little work to figure it out.

This makes playing a harmony much easier. If I am trying for thirds, I just play the same pattern two pads over, done. This has been another way to breed creativity. I have tried different notes together and it has lead to better harmonies. When I finally get the music midi recorded from the launchpad, I then learn the parts on guitar. This can be challenging, which is part of the \”beauty\” of doing music this way. I would have never played guitar this way, nor made these note choices for myself on the guitar.

Just a note on this compared to the Launchpad X. Shipping was originally delayed to the point where I wasn\’t sure I was going to get this, so I ended up getting the Launchpad X and then this finally arrived.

This gave me the opportunity to test out the pad sensitivity between the do. For whatever reason, I felt like the launchpad X had decent pad sensitivity, but the pro mk3 just had slightly better sensitivity. I am not sure it would have been worth the extra money to spring for the pro mk3 just for this factor alone, both are good products, but the pro mk3 does seem to have slightly better pad sensitivity.

I ended up returning the X and keeping this pro mk3. This also has a sequencer and some other additional functionality too that the X doesn\’t have, including a row of buttons on the left and two rows of buttons on the bottom. See all reviews. Top reviews from other countries.

I found the sensitivity of the pads to be poor in comparison for example with my Maschine Mk3 – stuff I am able to play expressively on that, I just cannot do with this Launchpad. Soft touches frequently are hit-and-miss, and it is difficult to get expressive variation in velocity. I expected much better, and am rather disappointed in the poor playability.

Very disappointing lack of built-in scales. I also see no valid reason as to why only four custom modes can be setup – as there are four spare buttons that are unused, it feels like it is deliberately limited, in order to encourage people to purchase the more expensive Launchpad Pro.

Also, no problems via a PD powered extension hub. It is otherwise well constructed, with bright, fast responding pad lights.

Very good unit takes some time to under stand all the setups don\’t expect a plug and play system although there is a basic setup well worth the effort to spend some time working with the unit and Appleton soft ware don\’t expect to master this unit straight off unless you have some experience with other media systems I bought this unit for my grandson birthday In his School he is known as the Music Man. I got the Launchpad Mini and as it was in the description I am authorized to download Ableton 10 Lite.

The provided serial number by Novation is actually a link which is looks like a Serial number however as I typed in it is invalid so it is not possible to use even the lite version of Ableton.

Also the device most features can not be used in the previous version Ableton 9 for example Session mode changing which is a huge disadvantage. For me the item is useless for live looping.

To set up this Launch Pad is very hard, the functions not explained well so it is definitely not for beginners. Not for me. I am very disappointed. I bought this because my Mk2 LP, althogh lovely to look at, is a bit to big for my stage setup and occcasionally fell off the synth I generally put it on.

Points to note – Has full RGB, a little fainter than a full size version, but still easily visible under stage lighting. I didn\’t find this change a problem though I thought i might – Components is fantastic allowing easy customisation of the user screens, really useful feature. If you configure it for faders it is more sensitive than the older models doing roughly 1. However the support team helped me out, this is now accessible by double tapping session instead of tap and hold.

Obviously it\’s not as fully featured as the X and the Pro, and the buttons are not velocity sensitive, but if you want a very capable and cheap clip launcher that can be readily customised for other uses this is probaly it. Will also apparently work in Logic Pro X for triggering Apple Loops, there is a setup in Components to do that, but i have not tested it.

I had a novation launchpad mink mk2 for a while, but seemed to stop using it, as I thought it was kind of limited in what I wanted to do, so I sold it. I was then looking for another launchpad for help in programming drums etc, I was looking at the Pro version, but couldn\’t justify paying out all that money, so I compromised and bought the Launchpad X. The Launchpad X is very versatile, one good thing about this is that all the lights work straight away, without having to do any midi tweaking in Ableton Live.

I love the touch sensitive pads, and the music mode, all you have to do is select the key and mode, and the lights on the launchpad correspond to relevant notes in that key, this brings a whole new way of music making, and great for those trancey arps, funky basslines etc. If you\’ve used previous versions of the launchpad mk1\’s, mk2\’s , you\’ll be surprised just how much better this is, highly recommended.