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Micro Tutorial: Quick Complex Masking in Affinity Designer – Frankentoon Studio

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I was delighted when I found that AP has a vectorscope. I infinitely prefer it to the more common histogram. I completely agree that we should have features that are common in film software inside of still image editing packages.

Just compare the ridiculously ineffective brush-based masking in Lightroom with the variable feathering of vector shapes in pretty much any respectable color grading or rotoscoping software. These programs are essentially solving the same basic problem, but mostly due to Adobe\’s monopoly in the stills image editing market and every other contender copying only them, we are left with this bizarre divergence between tools for stills and motion.

Features like better scopes, spline-based warper, proper keyers or at least a linear non-destructive HSL keyer , vector masking with variable feathering, three-way color correctors, OpenFX plugin support, particle systems, 2. I think the reason why these are not inside of Photoshop yet is likely because Adobe thinks in \”markets\”, as opposed to, say, \”common sense\”. Most of the semi-recent development in Photoshop has been focussed either on making the software attractive for new markets built-in 3D rendering, scientific tools like measurements etc.

Plus there is usually one flashy thing based on recent research that can be bolted on without too much change to any of the existing code that keeps the existing customer base happy.

I\’m pretty sure their thinking goes something like \”Waveform monitors are a video feature, but video people don\’t edit videos in Photoshop, only stills for bringing into Premiere or After Effects. Also, none of our photographers in the focus group test have requested this feature, they don\’t even know such a thing exists because it\’s not in Photoshop.

It would be a pain to market it to them and they don\’t seem to need it. Let\’s rather add a panel that makes it really easy for us to sell them stock photos for composites and actually increase our revenue this way. And I\’m not being facetious, I have a fear that\’s what their actual conversations are like. In fact, if you think about it, there is even no logical reason why After Effects and Photoshop should be two completely separate programs, with completely different code bases, implementing the same effects.

The only reason is the fact that Adobe bought After Effects and never bothered to refactor everything to the point where they could actually at least share parts of the code. That\’s why we\’re still stuck with the ies \”Clouds\” filter in Photoshop and there is the infinitely more powerful \”Fractal Noise\” in After Effects for instance.

But your post is still AP relevant. I don\’t do hands on movie grading myself – I sit beside a professional colourist. I have total respect for their skill and their fineness of eye far exceeds my own. So when Da Vinci Resolve became available for free download I grabbed a copy to play with on my MacPro so I could better appreciate what they do. Best fun I\’ve had out of bed for a long time! There is actually not much difference in terms of what you are trying to achieve in a still photo raw converter or raster editor and a high-end color grading suite.

The rules of what makes a great image don\’t change between the two. It\’s just that some things are much harder to do in one world than the other. For instance, I do a lot less relighting and masking in stills software since it\’s just too cumbersome and rather fussy to adjust after the fact because there are no decent vector masks.

However, these are not point operators but actually localized adjustments, so it\’s more processor intensive to compute them in real time of course, so it\’s kind of understandable. For very challenging color casts, I have actually used the rather limited waveform in Affinity and then manually transferred my curves into other software like Photoshop or Capture One when necessary in the past.

I have been using Affinity photo since a month now, and have been using masks very extensively. Please help. I checked everything..

Please suggest what am I doing wrong? Due to the fact that Boris Johnson is now was our Prime Minister, punctuation, spelling and grammar will never be worried about ever again. We now have far bigger problems to be worried about. Let\’s say I have something in the mask, say gradient or BW copy of a specific layer or part of.

Now, I decide to that it\’s not enough, in Gimp I could attach levels or curves and fix these move black point or white point, or anything to suite my needs. Another example is having a part of a photo makes out ie black spot on a white mask , now I decide that I want to control the transparency.

If I modify the mask transparency I can only \”remove\” from the image. With levels or curves I could do a simple curve modification to change it the black color to whatever Grey I desire. Am I missing something or is this not possible for now in AP? If not, maybe it\’s a viable option. Yes, you can. Is it possible to do the same to adjustment layers? Or do I have to put these layers into a group? You can post now and register later. If you have an account, sign in now to post with your account.

Note: Your post will require moderator approval before it will be visible. Paste as plain text instead. Only 75 emoji are allowed. Display as a link instead. Clear editor. Upload or insert images from URL. Please note there is currently a delay in replying to some post. See pinned thread in the Questions forum. These are the Terms of Use you will be asked to agree to if you join the forum. Privacy Policy Guidelines We have placed cookies on your device to help make this website better.

You can adjust your cookie settings , otherwise we\’ll assume you\’re okay to continue. Can you edit layer masks like a normal layer? Share More sharing options Followers 6.

Reply to this topic. Prev 1 2 Next Page 1 of 2. Recommended Posts. Guest Kevin Ar18 Posted July 13, Posted July 13, I have Windows, so can\’t check Description: In GIMP, layer masks are treated the same as layers in the sense that you can edit the layer masks using all the same tools you can use to edit layers drawing, filters, etc If not, where can I post this as a feature suggestion? Link to comment Share on other sites More sharing options James Ritson Posted July 13, Peter Werner Posted July 13, AdamRatai Like Loading MEB Posted July 13, Hi Peter, You can apply a Curves Adjustment to a mask however it doesn\’t change mask\’s pixel data directly, it only affects the mask non-destructively, that is, you see the results of the adjustment affecting the mask output, however the pixels on the mask itself don\’t change.

I see, fantastic, thank you! Great to be able to do this non-destructively as well. Posted July 14, Could someone please explain a bit more about curves adjustments or direct me to a tutorial.

Mac MacBook Pro 15 in. OS X MEB Posted July 14, Hi uncleus, Here\’s a video tutorial about Curves adjustment. Thanks very nice. Can you imagine other uses for these ready-to-use masks?

Until the next time my friends. Design School. Mystery Boxes. Micro Tutorials. Frankentoon September 19, Tutorial Downloads:. Keep Learning more cool stuff. Crumpled Papers 1. Propaganda goes Garage! Nomad for Affinity Delayed Update. Characters Illustration FX Artwork. Contact Us. Access your Dashboard:. Instagram Twitter Youtube Facebook. Full Name.


Mask layer affinity designer free download


In my opinion, this is one of the most helpful features in graphic design, being able to mask things with shapes. The problem is simple: you have a shape and want to shade it or add a pattern to it. You can fiddle around and make the pattern or shading fit your base shape or you can simply use the base shape as a mask. The way to approach this issue is slightly different in various vector tools — and I have covered some in the past.

In the Layers panel drag the lighter circle onto the darker. It will place the dragged object inside the target. Note: Your target element can be any shape — not just a simple form. Note: There are other ways to mask as well e. This will turn an object into a mask only — with no more visibility or fill.

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It is mandatory to procure user consent prior to running these cookies on your website. Clipping mask — Masking objects in Affinity Designer. Clipping mask — Masking objects in Affinity Designer Masking Objects Affinity Designer In my opinion, this is one of the most helpful features in graphic design, being able to mask things with shapes. Duplicate it and change the colour to a lighter tone.

The same works for multiple objects. Select all the objects you want to place inside a target and drag them on top. Facebook Twitter WhatsApp Email. About the Author: chris. Pixelpusher, vector-bender, and quad-turner and writer of this blog for a long, long time Related Posts. Vector brush creation in Affinity Designer — part 4.

Pattern creation along a path in Inkscape — part 2. Pattern creation along a path in Inkscape — part 1. Vector brush creation in Affinity Designer — part 3. Vector brush creation in Affinity Designer — part 2. Hathairuth March at – Reply. Tytus 4. April at – Reply. Leave A Comment Cancel reply Comment. This website uses cookies to improve your experience. We\’ll assume you\’re ok with this, but you can opt-out if you wish.

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